IN SHANGHAI 　　In Shanghai Lou Ye, 2001 　　short Film 　　In Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ... 　　Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film . 　　"You can guess who they are, but we can never really know " 　　Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming . 　　The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" . 　　Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western . 　　Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . " 　　By these words Mr. Lou Ye, I bear you my esteem .

IN SHANGHAI 　　In Shanghai Lou Ye, 2001 　　short Film 　　In Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ... 　　Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film . 　　"You can guess who they are, but we can never really know " 　　Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming . 　　The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" . 　　Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western . 　　Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . " 　　By these words Mr. Lou Ye, I bear you my esteem .

该剧描绘了上世纪90年代上海民众生活的全景式风貌，故事围绕老、中、青三代人的情感纠葛、奋斗打拼而展开，囊括了居民动迁、引资融资、留学生归国、股份制企改、婚外恋、上海发财梦等等时代焦点问题。

克里斯蒂安顺利通过了试用期，正式成为一名船员，他回家亲自下厨，打算与未婚妻好好庆祝一番，而就在此时，五年未见的父亲突然造访，将此前的平静彻底打破。克里斯蒂安童年丧母，父亲因而萎靡不振，父亲的好友彼得和汉娜夫妻俩收留了他，使他成为家庭一员。后来他与彼得的女儿特赖相爱，与彼得的儿子托比亚斯成为挚友。一天夜里，克里斯蒂安载托比亚斯回家途中遭遇了车祸，后者因此丧生。彼得一家伤痛万分，克里斯蒂安却选择逃避，远离家乡，独自生活，直到五年后父亲找到他……

克里斯蒂安顺利通过了试用期，正式成为一名船员，他回家亲自下厨，打算与未婚妻好好庆祝一番，而就在此时，五年未见的父亲突然造访，将此前的平静彻底打破。克里斯蒂安童年丧母，父亲因而萎靡不振，父亲的好友彼得和汉娜夫妻俩收留了他，使他成为家庭一员。后来他与彼得的女儿特赖相爱，与彼得的儿子托比亚斯成为挚友。一天夜里，克里斯蒂安载托比亚斯回家途中遭遇了车祸，后者因此丧生。彼得一家伤痛万分，克里斯蒂安却选择逃避，远离家乡，独自生活，直到五年后父亲找到他……

中国政府召见陈查理去调查一起涉及鸦片环的谋杀案。环的领导人绑架了陈查理并试图杀死他。

婚姻不幸的土耳其女子乌马伊（西贝尔·凯基莉 Sibel Kekilli 饰）不仅跟丈夫毫无爱情可言，更时常遭受丈夫的家庭暴力。悲剧的婚姻致使乌马伊带着儿子逃回了娘家德国。然而她悲剧的命运并没有因此终止，迎接她的非但不是一个可以依靠的温暖的家，而是家人的冷嘲热讽。为了声誉，家人居然极力劝她按照传统习俗，把儿子送回给土耳其的丈夫抚养。面对家人的冷眼和唾弃，善良宽容的乌马伊并没有放弃，她坚持自己抚养儿子，不得已下寄居在朋友家。然而这仅仅是悲剧的序曲，乌马伊带着儿子去看望病危的父亲，却不曾想到，等待她的，居然是自己弟弟的枪口。 　　本片不仅荣获2010年第60届柏林国际电影节欧洲院线大奖，还获得欧洲电影奖、德国电影奖在内的六次提名，三项大奖。

十七岁的达米安（卡西·莫泰·克莱恩 Kacey Mottet Klein 饰）是一名孤独的少年，他的父亲内森（亚历谢斯·罗莱特 Alexis Loret 饰）由于工作的原因常年不在家，父子两人聚少离多。达米安自小和母亲玛丽安（桑德利那·吉贝尔兰 Sandrine Kiberlain 饰）过着相依为命的生活，个性难免变得怯懦而阴柔，为此遭到了不少的欺凌和嘲笑。 　　某日，达米安结识了一位名叫托马斯（科伦汀·菲拉 Corentin Fila 饰）的少年，两人刚一见面就相互看不顺眼，势同水火。可是，让达米安没有想到的是，母亲竟然收养了无人照顾的托马斯，两人竟成为了住在同一屋檐下的兄弟。随着时间的推移，达米安和托马斯，两颗孤寂的灵魂之间产生了特殊的羁绊。

讲述了从动荡不已的时期，到如今的21世纪，来自不同家庭的LGBT群体的先驱们为捍卫美国“短板”权益所经历的自身困境、政治斗争、挫折以及最终取得胜利的故事。

讲述了从动荡不已的时期，到如今的21世纪，来自不同家庭的LGBT群体的先驱们为捍卫美国“短板”权益所经历的自身困境、政治斗争、挫折以及最终取得胜利的故事。